Despite my love for the usual piano repertoire (that I defend in public concerts), I think that my task as an interpreter is to propose less heard music. That is why my piano projects focus mainly on unknown or little known 
composers. Our repertoire should be a tool to understand our times, not only a stuck museum useful for “good soirées”: if we want to be an active force in cultural development, we must broaden it and constantly call it into question. To me, a strong bond between music, aesthetic reflection and historical research is the key to build an interesting project.
Listen to my recordings in my YT channel.
Piano projects
Hovhaness project
Kadosa project
Concerts
For a concert list take a look into my posts (concert category).