My interests focus most on musical semantics, style problems,
electronic music. Here a list of my writings, participation to conferences, meetings, workshops, etc.:
- Ricostruzione di “Incontri di fasce sonore”, L’utopia del silenzio nell’opera di Franco Evangelisti, (Roma, Fondazione Scelsi, 4-6/12/2023)
- Dissolving the people. The role of popular singing competitions in Italy from the Fifties until now, in “40 years of popular culture in Italy”, P. Desogus E. Minardi ed., Cambridge Scholars Publishing, 2020
- La comunicazione tecnologica ed i processi compositivi extracolti odierni, Musica e tecnologia negli anni ’50, (3-4/12/2015, Fondazione Giacinto Scelsi, Rome)
- 78 rpm records, Workshop “Project actions for the protection of the audio heritage” with the help of the Rinascimento Digitale Foundation (13th May 2008, Auditorium Cassa di Risparmio, Firenze)
- Records, causes of deterioration and essential actions, Workshop “The auditory archives” with the help of the Rinascimento Digitale Foundation (05th November 2007, Auditorium Cassa di Risparmio, Firenze)
- Proprietary formats and open formats. Advantages and disadvantages, Workshop “The auditory archives” with the help of the Rinascimento Digitale Foundation (05th November 2007, Auditorium Cassa di Risparmio, Firenze)
- Semantics and Rhetoric in Paul Hindemith’s “mute” instrumental recitatives – lieder, 5th conference of Analitica, Rimini (08-10/02/07)
- “Incontri di fasce sonore”: from the reconstruction to the analysis via synthesis process, EMS, Leicester (UK) (11-15/06/07)
- “….. sofferte onde serene…” by Luigi Nono: a remix, (poster, 16th CIM, Genova, 24th October 2006, with Marco Braggion)
- Reconstructing Franco Evangelisti’s “Incontri di fasce sonore”, (poster, 9th ICMPC, Bologna, 22-26 August 2006)
- Semantics and Rhetoric in Paul Hindemith’s “mute” instrumental recitatives – lieder (poster, 9éme ICMPC, Bologna, 22-26 Août 2006)
- Working experiences with Luciano Berio, in collaboration with Nicola Bernardini, conference “Dedication to Luciano Berio” (8-9 Mai 2004, Udine)
- Introduzione, article in “Rivista di Analisi e Teoria Musicale” (summary of Cope’s “Virtual Music”, 2003)